Eu acho que dubstep se tornou tão grande, porque é o estilo mais completo da música eletrônica", exclama o jovem produtor e Datsik. "Há um pouco de tudo na mistura Há partes de hip-hop, o baixo de pistas de dança musicas eletrônicos e as raízes do UK garage e drum & bass ... Dubstep é o tpunk rock da música eletrônica. "
Troy Beetles soa mais como um jovem rapper dos mais proeminentes do mundo do dubstepstars por uma boa razão. O Kelowna, foi um fã de rap hardcore que era fiel ao clássico do Wu-Tang Clan e permeia sua música,dark e agressaiva
Futuro da tecnologia de Datsik explodiram na cena dubstep quase imediatamente, acumulando uma série de sete faixas # 1 no Beatport, incluindo ao mesmo tempo cinco das 10 músicas em seu gráfico best-sellers. Ele também teve sucessos em sites de outras músicas, como Juno, Red Eye and Chemical Records e créditos iniciais no remixer incluem com os maiores nomes como Diplo, The Crystal Method e Bassnectar.
Ao lado dos maníacos do dubstep como os ameaçadores "Napalm" (do rapper Messenian), a coloboração do Dj de hip-hop Z-Trip "Double Trouble" e do devastador primeiro single, "Totalmente Blown" com Snack the Ripper, o álbum Datsik de estréia é o VITAMINA D está pronta para estabelecer um novo padrão no mundo selvagem do dubstep. Carregado com a energia suficiente para abastecer a Vegas Strip, que está preparada para ser o lugar do dubstep r em 2012.
Datsik ao vivo em 2011 é um dos artistas de renome primeira vez a América do Norte com música totalmente eletrônica,abrindo shows do KORN em sua 'tour. Na véspera da turnê com mais de 40 cidades norte-americanas.
“I think dubstep has become so huge because it’s a complete bastardization of electronic music,” exclaims rapidly emerging young producer and artist DATSIK. “There’s a little bit of everything thrown in the mix and dirtied up. There are pieces of hip-hop, the bass from electronic dance tracks and the roots of U.K. garage and drum & bass…Dubstep is totally the punk rock of electronic music.”
DATSIK (born Troy Beetles) sounds more like a young rapper than one of the world’s preeminent young dubstepstars, it’s for good reason. The Kelowna, British Columbia, native grew up a hardcore rap fan that still pledges allegiance to classic Wu-Tang Clan and it permeates his dark, aggressive music.
DATSIK’s future-tech dance-floor detonators exploded on the dubstep scene almost immediately, racking up a series of seven #1 tracks on Beatport, including at one time owning five of the ten tunes on their best-sellers chart. He’s also had smash hits on other music sites like Juno, Red Eye and Chemical Records and early remix credits include works for the biggest names in the game like Diplo, The Crystal Method and Bassnectar.
DATSIK’s future-tech dance-floor detonators exploded on the dubstep scene almost immediately, racking up a series of seven #1 tracks on Beatport, including at one time owning five of the ten tunes on their best-sellers chart. He’s also had smash hits on other music sites like Juno, Red Eye and Chemical Records and early remix credits include works for the biggest names in the game like Diplo, The Crystal Method and Bassnectar.
Next to manic dubstep tracks like the menacing “Napalm” (featuring rapper Messenian), the grimy, hip-hop swagger of DJ Z-Trip collaboration “Double Trouble” and the devastating first single “Fully Blown” with rapper Snack the Ripper, DATSIK’s debut album VITAMIN D is poised to set a new standard in the wild world of dubstep. Loaded with bone-rattling beats and enough energy to power the Vegas Strip, it’s poised to be the dubstep full-length to beat in 2012.
DATSIK cut his live teeth in 2011 as one of the featured artists on IDentity, North America’s first-ever all-electronic music tour, as well as support for KORN on their ‘Path of Totality’ tour. On the eve of the extensive DEADMEAT tour with Dim Mak label owner/DJ rock star DJ Steve Aoki, and with scheduled sets at festivals like Ultra Music Festival and Coachella, DATSIK’s already-legendary live shows will be hitting more than 40 North American cities just over the next few months.
“Lately, I’m focusing on creating memorable songs, so it’s always real music and not just a collection of cool beats,” DATSIK says finally. “Of course, it’s gotta be funky so people can dance to it. More than anything, I want people to be able to hum my songs, robot noises and all.”
“Lately, I’m focusing on creating memorable songs, so it’s always real music and not just a collection of cool beats,” DATSIK says finally. “Of course, it’s gotta be funky so people can dance to it. More than anything, I want people to be able to hum my songs, robot noises and all.”
Nenhum comentário :
Postar um comentário