Straight out of Transylvania County (nice touch) is the debut album from BLOODY HAMMERS, an outfit whose brand of doom is as interesting as it is eclectic and as unique as it is refreshing. “Spiritual Relics” is a dynamic record that right out of the gate informs listeners that BLOODY HAMMERS
are in this game to make their presence known and have no intention of
being just another name in the over saturated market of Doom and Sludge
Metal.
Organist Devallia’s playing compliments many of the pieces very well and gives early tracks like “At the Well of Nazareth” and “The Source” their paradoxically dark and vibrant personalities. These songs have character. They have a certain touch that other bands don’t simply because BLOODY HAMMERS do what so many bands forget to and use to their advantage the elements that make them unique. “At the Well of Nazareth’s” guitar tone, whether intentional or not, has a fuzz and distortion reminiscent of early 90s alternative rock and desert legends KYUSS, a tone that I think works perfectly well given the bands use of the organ. While not the heaviest of tones, it doesn’t overshadow the other instruments and compliments Anders Magna’ baritone vocal style quite well. If you’re looking for that North Carolina Sludge, “Color Me Blood Red” and “What’s Haunting You” demonstrate that BLOODY HAMMERS are still calling upon the demons of Dixie to churn out the groove when necessary while not compromising their own unique spin on the sound. What also stands out in these tracks is a very prominent Gothic Metal influence, particularly on “Night of the Long Knives” and “Shiver”, each displaying a powerful TYPE O NEGATIVE influence. When combined with the Stoner / Sludge, this influence makes for a combination that works much to my surprise considering I’m not quite the fan of that style.
Despite the album’s tendency to drag at times in the middle, the impressive guitar lead on “Flesh of the Lotus” sparked a powerful ending to the record culminating in the last two tracks that end this record with the right bang. The last track, “Science Fiction”, melds perfectly the aforementioned influences but adds the touch of southern country in the acoustic guitars to make it the most unexpected but most stand out track on the record. BLOODY HAMMERS succeed in achieving a multi-faceted sound while retaining the basic elements of a standard Rock band, something only talented bands can make possible. The fact that this band was able to create this sound without an overproduced album or several additional instruments is impressive to say the least. Expect big things from this band if they are able to build upon this framework.
Organist Devallia’s playing compliments many of the pieces very well and gives early tracks like “At the Well of Nazareth” and “The Source” their paradoxically dark and vibrant personalities. These songs have character. They have a certain touch that other bands don’t simply because BLOODY HAMMERS do what so many bands forget to and use to their advantage the elements that make them unique. “At the Well of Nazareth’s” guitar tone, whether intentional or not, has a fuzz and distortion reminiscent of early 90s alternative rock and desert legends KYUSS, a tone that I think works perfectly well given the bands use of the organ. While not the heaviest of tones, it doesn’t overshadow the other instruments and compliments Anders Magna’ baritone vocal style quite well. If you’re looking for that North Carolina Sludge, “Color Me Blood Red” and “What’s Haunting You” demonstrate that BLOODY HAMMERS are still calling upon the demons of Dixie to churn out the groove when necessary while not compromising their own unique spin on the sound. What also stands out in these tracks is a very prominent Gothic Metal influence, particularly on “Night of the Long Knives” and “Shiver”, each displaying a powerful TYPE O NEGATIVE influence. When combined with the Stoner / Sludge, this influence makes for a combination that works much to my surprise considering I’m not quite the fan of that style.
Despite the album’s tendency to drag at times in the middle, the impressive guitar lead on “Flesh of the Lotus” sparked a powerful ending to the record culminating in the last two tracks that end this record with the right bang. The last track, “Science Fiction”, melds perfectly the aforementioned influences but adds the touch of southern country in the acoustic guitars to make it the most unexpected but most stand out track on the record. BLOODY HAMMERS succeed in achieving a multi-faceted sound while retaining the basic elements of a standard Rock band, something only talented bands can make possible. The fact that this band was able to create this sound without an overproduced album or several additional instruments is impressive to say the least. Expect big things from this band if they are able to build upon this framework.
O álbum de estréia do BLOODY HAMMERS é tão interessante quanto eclético e único “Spiritual Relics” é um disco dinâmico que o direito fora do portão informa ouvintes que BLOODY HAMMERS
neste jogo para tornar a sua presença conhecida e não tenha nenhuma
intenção de ser apenas mais um nome no mercado saturado como Doom e
Sludge metal .
elogios muitas das múscias como a faixa que abre “At the Well of Nazareth” e “The Source”de suas personalidades , paradoxalmente, escuras e vibrantes. Essas músicas têm caráter. Eles têm um certo toque que outras bandas não simplesmente porque BLOODY HAMMERS entre tantas bandas e se esqueça de usar a seu favor os elementos que as tornam únicas . "At the Well of Nazareth” tem um tom de guitarra, intencional com ditorção fuzz que lembra o início dos anos 90 o rock alternativo e do e a lenda KYUSS , um tom que eu acho que funciona muito bem , dadas as bandas que usam o órgão. Embora não seja o mais pesado dos tons , não ofuscar os outros instrumentos e o vocal Anders Magna ' que são otimos. BLOODY HAMMERS ainda estão convocando os demônios , quando necessário, sem comprometer a sua própria rotação original . O que também se destaca nestas faixas é muito importante influência Gothic Metal, particularmente na“Night of the Long Knives” e “Shiver” Quando combinado com o Stoner / Sludge , essa influência torna-se uma combinação que funciona muito para minha surpresa, considerando que eu não sou muito fã desse estilo. (mas eu sou)
Apesar de a tendência do álbum , por vezes ser arrastado , a impressionante ligação de guitarra em " Flesh da Lotus " provocou um poderoso final para o album culminando nas duas últimas faixas que terminam este registro com o estrondo direita. A última faixa , "Science Fiction " , mescla perfeitamente as influências mencionadas , mas dá o toque de país sul nas guitarras acústicas para torná-lo a faixa mais inesperado, se destacam no álbum. conseguir alcançar um som multi- facetada BLOODY HAMMERS, mantendo os elementos básicos de uma banda de rock padrão e Heavy Metal , algo apenas bandas talentosas pode tornar possível. O fato de que esta banda foi capaz de criar esse som sem um álbum super produtor ou vários instrumentos adicionais é impressionante para dizer o mínimo. Espere grandes coisas a partir desta banda se eles são capazes de construir em cima deste quadro.
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